INTRODUCTION “Britain had one century of painting.” Elie Faure’s statement summarizes best what critics, art researchers and collectors haven’t had the space, the heart or the inspiration to say in their restless attempts to present English Art. WHY? To answer this question we must take into account more than history and documents, we must evaluate the essence, the soul of the creator, of the English man. Andrew Crawley describes in his book (“England”), …showed first 75 words of 8602 total…

…showed last 75 words of 8602 total…Elie, Histoire de L’Art- L’Art moderne,1921 Gilbey, Walter, Animal Painters in England, 1900 Gowing, Lawrence, Turner: Imagination and Reality, 1966 Leslie, C. R. and Taylor, Tom The Works of Sir Joshua Reynolds, Knight, 1809 Nicolau- Golfin, Marin, Istoria artei, 1968 Reynolds, G. Constable: the Natural Painter, 1965 Richardson, Essay on the Theory of Painting, 1715 Tinker, Brewster, Chauncey, Nature’s Simple Plan, 1922 Vertue, George, Notebooks, 1713-1752 Waterhouse, E. K. Reynolds, 1941 Gainsborough, 1958 Painting in Britain, 1953 Whitley, W. T. Thomas Gainsborough, 1925