The extract presents a sustained attack by Cole ridge on Shakespeare for his lack of realism in the 'monstrous' depiction of a marriage between a 'beautiful Venetian girl,' and a 'veritable negro,' in Othello. He sees Shakespeare's transformation of a 'barbarous negro' into a respected soldier and nobleman of stature as 'ignorant', since at the time, 'negroes were not known except as slaves.' (Appendix) The extract seems to raise two questions - …showed first 75 words of 2146 total…

…showed last 75 words of 2146 total…not known except as slaves,' (Appendix) yet racism inherent in the society which he lived was capable of reducing him to the barbarous state everyone at root expected of him. Thus Shakespeare presents us with a morality play at the historical height of the colonial slave trade with racism and miscegeny at its core, first we witness this through Brabantio, then the tragic consequences when Othello, with Iago's help, turns social prejudice onto himself.